Published: 14-06-2022

The functionality of aesthetic illusion and epistemic relativism in Grace Ogot’s The Strange Bride (1989)

Souleymane Diallo

DOI: https://royallitegioba-advanced-humanities.com/topic?id=73

The metatext of culture and the limits of translation in Ngugiwa Thiongo’s Devil on the Cross (1982)

Nicholas Goro Kamau

DOI: https://royallitegioba-advanced-humanities.com/topic?id=74

Anthroponymy in Eastern Nilotic: A case of Turkana personal names

Susan Kinyua

DOI: https://royallitegioba-advanced-humanities.com/topic?id=75

A stylometric reading of William Wordsworth and W. B. Yeats’s poetry: Ambivalent cravings in romantic and modernist consciousness

David Toh Kusi

DOI: https://royallitegioba-advanced-humanities.com/topic?id=76

Matter and manner: A postcolonial reading of Nol Alembong’s The Passing Wind (1991)

Emmerencia Beh Sih

DOI: https://royallitegioba-advanced-humanities.com/topic?id=77