Published: 14-09-2022

Ushuni as a method of sound production, performance practice and categorisation in the philosophical and intellectual foundation of Umaskandi

Mbuti Moloi
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DOI: https://royallitegioba-advanced-humanities.com/topic?id=83

Folk media: Existence, forms, uses and challenges in Mende indigenous communities of Southern Sierra Leone

Foday Yamba Philip Thulla

DOI: https://royallitegioba-advanced-humanities.com/topic?id=84

No longer green: Female characters of African descent as sex workers in Chika Unigwe’s On Black Sisters’ Street (2009) and Amma Darko’s Beyond the Horizon (1995)

Gloria Ajami Makokha

DOI: https://royallitegioba-advanced-humanities.com/topic?id=85

Cultural practices resilience in the wake of COVID-19 among communities in Western Kenya

Lucy Mandillah
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DOI: https://royallitegioba-advanced-humanities.com/topic?id=86

Attitudes and practices on induced abortion among Igembe Women in Meru County, Kenya

Charity Kinya Koronya
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DOI: https://royallitegioba-advanced-humanities.com/topic?id=87

Representation of disability in the media: A review of Kenyan newspaper reports of 2015-2016

Peter W. Bukhala
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DOI: https://royallitegioba-advanced-humanities.com/topic?id=88

Preferred Vocabulary Learning Strategies among Malaysian Students

Mohd Zulfadli Mat Husin
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DOI: https://royallitegioba-advanced-humanities.com/topic?id=89

Translanguaging in the analysis of narrative techniques and discourse styles in selected Philippine short novels

Chester B. Esnara
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DOI: https://royallitegioba-advanced-humanities.com/topic?id=90

A critique of baby making supermarts: Surrogacy clinics in Kishwar Desai’s Origins of Love (2012)

Aparna Mehta
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DOI: https://royallitegioba-advanced-humanities.com/topic?id=91

A study of Santals as children of nature in the light of Santal folktales

Thadeus Hembrom
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DOI: https://royallitegioba-advanced-humanities.com/topic?id=92