royallitegioba

The metatext of culture and the limits of translation in Ngugiwa Thiongo’s Devil on the Cross (1982)

Nicholas Goro Kamau

DOI: https://royallitegioba-advanced-humanities.com/topic?id=74

The functionality of aesthetic illusion and epistemic relativism in Grace Ogot’s The Strange Bride (1989)

Souleymane Diallo

DOI: https://royallitegioba-advanced-humanities.com/topic?id=73

Critical appraisement of Monitor Model

Adiba Kamal

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DOI: https://royallitegioba-advanced-humanities.com/topic?id=72

Effects of morphological processes in the nativisation of loanwords in Anufo: A linguistic analysis

Solomon Kofi Tasson

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DOI: https://royallitegioba-advanced-humanities.com/topic?id=71

Metaphoric ramifications of the protagonists’ character, language and actions in J.M. Coetzee’s Elizabeth Costello and Slow Man

Alfred Mugambi Ong'ang'a

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DOI: https://royallitegioba-advanced-humanities.com/topic?id=70

Revitalizing minority languages using music: Three South-Guan languages of Ghana in focus

Mercy Akrofi Ansah

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DOI: https://royallitegioba-advanced-humanities.com/topic?id=69

Integrating riddles as instructional resource in the Competency-Based Curriculum for Early Years Education in Kenya

Gloria Kemunto Mokaya

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DOI: https://royallitegioba-advanced-humanities.com/topic?id=68

Projecting the African society and cultural values: Chinua Achebe’s Things Fall Apart (1958)

Jonathan Essuman

DOI: https://royallitegioba-advanced-humanities.com/topic?id=67

Women as muted voices and silenced subalterns in Razinat Mohammed’s A Love Like a Woman’s and Other Stories

Fatima Inuwa

DOI: https://royallitegioba-advanced-humanities.com/topic?id=66

Symbolism and the quest for a new social awareness in Khaled Hosseini’s A Thousand Splendid Suns (2007)

Anna Kelvin Kesuwo

DOI: https://royallitegioba-advanced-humanities.com/topic?id=65

Review of the primordial approaches to ethnicity: Focus on Kenya

Evans Anyona Ondigi

DOI: https://royallitegioba-advanced-humanities.com/topic?id=63

Elements of philosophy in Chinua Achebe’s Things Fall Apart (1958)

Richard Ansah

DOI: https://royallitegioba-advanced-humanities.com/topic?id=60

Revisiting the forgotten pandemics: Using multimodality in crafting images of HIV/AIDS in Kenyan newspapers

Benard Kodak

DOI: https://royallitegioba-advanced-humanities.com/topic?id=59

Online memes in Kenyan social media plat forms as a modality of negotiating gender-based violence in androcentric political contexts

Marciana Nafula Were

DOI: https://royallitegioba-advanced-humanities.com/topic?id=58

Investigating the academic writing potentials of freshmen at the University of Buea: Making a case for grammatical and lexical awareness

Gisela Achuo Nsen

DOI: https://royallitegioba-advanced-humanities.com/topic?id=57

In search of voice and feet: A study on localization, globalization and reflexivity in Daya Pawar’s Baluta (2015)

Maurice Simbili Mwichuli

DOI: https://royallitegioba-advanced-humanities.com/topic?id=56

Nature worship in the digital age: A case of Omabala clan in Anambra State in South East Nigeria

Chinelo Edith Ude-Akpeh

DOI: https://royallitegioba-advanced-humanities.com/topic?id=55

Navigating diaspora: An experience of female characters of African descent in selected novels by African female writers

Gloria Ajami Makokha

DOI: https://royallitegioba-advanced-humanities.com/topic?id=54

Satire in post-independence African plays: A study of Efo Kodjo Mawugbe’s Prison Graduates (2015)

Jonathan Essuman

DOI: https://royallitegioba-advanced-humanities.com/topic?id=53

Racial and textual translation through signifyin(g) and eshu in Ika Hugel-Marshall’s Invisible Woman: Growing Up Black in Germany (2008)

Jose Endoenca Martins

DOI: https://royallitegioba-advanced-humanities.com/topic?id=52